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Bahamas First Avenue Concert Poster
Bahamas First Avenue Concert PosterImage provided by promoter.

Bahamas: The Bootcut Tour

Thursday, October 12
8:00 pm

First Avenue

701 First Avenue North, Minneapolis, 55403-1327

Bahamas
First Avenue in Minneapolis on Thursday, October 12, 2023

Doors 7 p.m. | Show 8 p.m. | 18+

Tickets on sale Friday, July 21 at 10 a.m.

How to receive presale information

A presale is scheduled for Thursday, July 20, from 10 a.m. to 10:00 p.m. (the public on-sale opens Friday, July 21 at 10 a.m.). Subscribe to Cross Currents — The Current’s weekly newsletter — by midnight Wednesday, July 19 to receive details about this week’s presale for Bahamas.

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Bahamas

As the studio follow-up to 2020’s Sad Hunk—an album beloved by the Juno Awards and Ted Lasso music supervisors alike—Bahamas’ sixth full-length, BOOTCUT, sees Afie Jurvanen emerge from the pandemic fog to fully embrace the joys of IRL interaction and the ability to travel freely once again. Produced by Grammy-Nominated Robbie Lackritz (Feist, Jack Johnson, Peach Pit) and Dan Knobler (Allison Russell, Rodney Crowell); BOOTCUT was recorded in Nashville’s Sound Emporium. It features Jurvanen backed by a veritable Murderer’s Row of Music City pros, including guitar legend (and current Eagle) Vince Gill, pedal-steel maestro Russ Pahl (Kenny Rogers, Don Williams, Kacey Musgraves), bassist Dave Roe (Sturgill Simpson, Dwight Yoakam, Johnny Cash), harmonica player Mickey Raphael (Willie Nelson), bluegrass legend Sam Bush. So yes, you could call this Bahamas’ “country” album, full of songs rooted in familiar Nashville topics like love, death, and automotive vehicles, and topped with extra dollops of teary twang, mandolin-pluckin’, and saloon-door-swinging rhythm. But BOOTCUT isn’t simply a Bahamas interpretation of country music, it’s a country-music interpretation of Bahamas that puts a sepia-toned spin on Jurvanen’s signature moves using a genre-less blend of Americana, Bluegrass, and all that Bahamas has been known to embody: the funky finesse, the bizarro guitar solos that sound like they’re beaming in from Mars, and the ever-so-sly storytelling that filters timeless themes through a distinctly modern lens.